Formal layout.
Likeness of the section-label sequences.
Likeness of the phrase-length sequences.
Harmony.
Likeness of the structural Roman-numeral progressions.
Likeness of how long each harmonic function is held.
Likeness of the phrase-by-phrase cadence sequences.
Likeness of the key plans, read relative to each piece's first key.
Likeness of where in the bar the chords change.
Likeness of how often the chords change.
Melody.
Likeness of the motifs' interval content: the one field that reads the surface.
Likeness of how the motifs derive from one another.
Likeness of the phrases' melodic outlines, each scaled by its own range.
Likeness of the phrases' registers, each relative to its piece's melodic mean.
Melodic rhythm.
Likeness of where in the bar the melody's onsets fall.
Likeness of the melodies' onsets per bar.
Likeness of the melodies' inter-onset-interval distributions.
Likeness of the melodies' syncopation.
The two most and the two least alike fields, by name.
How alike two profiled pieces are, one field per aspect.
Every value is in [0, 1] and symmetric in the two profiles. A value is
nullwhen neither profile has anything to measure it on, and 0 when only one does.